DAMN.

In the final analysis, this album knocks.

It’s hard to believe this is the same dude who did Overly Dedicated and Section 80. I’ve been a fan of this man for a while now and I’m happy to see him out here still putting these notches in his belt.

Say what you would like about Kendrick, but he can craft an album. When I heard HUMBLE, I knew this album was going to sound different. And that’s no shade: I admire artists who grow with each album and who like to play with different sounds.

This is Kenny at his trappiest, bangin-est yet, but he still manages to retain a distinct flow and styling that are classically Kendrick. (jazzy interludes, those eery vocals, and potent lyrics)

Not to mention some production assists from Mike Will Made It, (regulars) James Blake and Terrace Martin, and a promising new name, Bekon (responsible for at least 8 tracks on the project) and some vocals from Rhianna and Zacari. Peep the full credits on XXL.

It’s a yes for me. I really like this album. My personal favorite track was God. Cardo, Ricci Riera, Sounwave, DJ Dahi, Anthony “Top Dawg” Tiffith & Bekon (there’s that name, again) really put their foot in that one.

It’s not as ham-fisted in it’s intentions as To Pimp a Butterfly but still shows some tremendous growth in this man from the mixtape days.

I raise my glass to you Brother Duckworth. Keep on keeping on.

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