Slow Claps for Cardi: An Album Review

 

Cardi B’s got a new album and y’know… I can appreciate it for what it is. A bop here and there, I fast forwarded through a couple. Overall, I wasn’t disappointed.

From the top, Get Up 10 is brazy. Cardi’s coming out the gate with bars for that ass. I love a good Migos feature and “Drip” is no exception.

“Bickenhead”: a bop.

I can never hear Bodack Yellow ever again in my life, I’ll be just fine.

Now, a lot of folks on the twitters and the grams and the shade rooms had a lot to say about “Be Careful.” Cardi, herself, addressed the flac she got after releasing the single in an interview with The Breakfast Club. But I loved the song the first time I heard it. The Lauryn Hill sample really won it over for me. And to hear that Lauryn, herself gave Cardi the blessing to use the sample – validation.

If you check my track record, I’m clearly Chance the Rapper’s biggest fan. Upon scanning the track list and seeing his name, I actually started the album out of order with “Best Life.” Talk about a personal anthem.

Anything with that Caribbean/hip hop flavor immediately has my attention. “I Like It”: I love it.

I’m not saying it’s wrong, I’m not saying it’s right but I really just loathe Kehlani’s voice so that really shot “Ring” in the face for me. Skip.

“Money bag”: it was cute the first time, but it’s a skip 8 times out of 10.

“Bartier Cardi”: it goes off in the gym.

I suppose the last three tracks were cute. It got a little more reserved, a little more introspective, which was nice. You can’t go wrong with a little SZA… And just like that it was over. I say it was a good show and a solid debut. I didn’t not like it. I thought it was cohesive. There are certainly some bops for the summer time.

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I’ll give it to her. I sincerely hopes she keeps going. She’s already begun cultivating a lane of her own and I definitely see room for growth. Perhaps, the new baby will kick the creative juices into a new gear. That seems to be a thing. Regardless of all that, she’s apart of the canon now. If you can’t find it in some part of you to commend this woman on a job well done, regardless of if you like her music, I contend that you are simply a hater.

*Kanye shrug*

Rumble in the Jungle

Today in Black History, I want to look at some documentary films.

All of these can be found on Hulu, Netflix, and/or YouTube and all of them focus on stories centering on people of color and their cultural influences. I love documentary films. In recent years, the ways in which a non fictional narrative can be portrayed on screen can make the subject seem larger than life and I think that can be said for all of these films. For all of these films, I can say that I am always left with the weight of their respective subjects and the ways that the narratives relate to my life and my own path.

I’ve numbered this sequence because in many ways, you can view these films chronologically and see the ways the spirit of a time trickled its way into the lives of real black and brown folks who were the unwitting scapegoats of bureaucratic miscondunct.

Rubble Kings

Made in 2015, this documentary is about the youth gang culture that exploded through the Bronx, most notably, and subsequently the rest of the boroughs of New York City.

This is the picture of New York City that my mom has when she thinks of the Big Apple. I told her I was planning on moving there after undergrad and she didn’t seem sold on the idea.

Of course, there’s always a small chance that shit can pop off, but that’s true anywhere. Even here in Mississippi, there are some places you just don’t go to. But there’s enough wy ppl there gentrifying the city that getting mugged at any given moment is significantly less likely.

Anyhoo… this film puts a lens on the crime ridden borough of the Bronx and the political plays that were made that resulted in the high crime rates and rise in youth gang activity.

In a nutshell, we can trace the causes of these social conditions back to the start of Ronal Reagan’s War on Drugs. Nixon took the presidency and breathed new life into Reagan’s crusade and the rest is history. The rise of “the rubble kings,” these adolescent gang boppers, begin organizing themselves between their neighborhoods and policing the streets with violence and vigilantism as a result of various new laws put in place that accelerated the rise of urban decay and neglect in which these kids were innocently born in to.

Fresh Dressed

Fresh Dressed, produced by Pharrell, picks up where Rubble Kings leaves off. After the turbulance of the the 70s and the onslaught of the War on Drugs, after the hundreds of resulting deaths, and after one reckoning moment, the tide of the times changes as hip hop forges on to the scene in the late 70s.

Fresh Dressed, as the title alludes, is about fashion. The film archives the change in fashion trends beginning in the late 70s as the prevailing gang culture subsides and from its ashes, hip hop culture arises.

Fresh Dressed is a culture study through the lens of fashion.

The Radiant Child

The Radiant Child is a personal favorite. Taking the bigger picture that Rubble Kings and Fresh Dressed painted and seeing how the issues discussed in those films ended up affecting a singular narrative.

Though Jean Michel Basquiat was one guy, his work has touched millions and he was a product of a very specific environment.

These three films overlap in the time periods that they cover, especially as it pertains to the late 70s and 80s in New York City. In fact, when watching, you might notice that some of the references and even the talking heads themselves are featured in two of the films, if not all three.

When I think about Black History, that is the history of Black people in America, I think it’s important to know just how we got to where we are at this moment in history. Existentially speaking, history has been building on itself, expressing itself through the stories in these films, and reaping itself accordingly.

Today in Black History, we must honor the process.

The turbulent 60s gave rise to the violent 70s which gave rise to the electric 80s, the iconic 90s, and so on and so forth. If we are to look to the future, we really have to come to terms with the now and realize that nothing happens in a vacuum.

If we wish to change the future, change has to begin now.

 

I Can’t Live Without My Radio

Let’s kick off the first post of 2018 with some culture.

I was scrolling through IG and Charlemagne the God posted this.

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As spicy as Charlemagne can be, he has his moments.

Every now and then I write about some of my favorite artists making their way through the radio circuit promoting their newest latest… or trying to save face… or just deciding to drop in. A lot of great artists have been interviewed on The Breakfast Club.

In the context of hip hop, DJs have mythological status. They have a special place in the culture.

I feel like disk jockeys are always portrayed as being “that nigga.” They get respect, they have clout, they usually have a way with words.

They are some of the most memorable characters in television and movies. Of course, Martin and Senior Love Daddy are fictional, but it’s plenty of very real DJs that live and breath this same air that pushed the culture of hip hop.

From people like Stretch and Bobbito who were pioneers of the “urban radio” movement to the vets like Angie Martinez, Ebro, Sway, Heather B, Big Boy, and DJ Envy and Angela Yee, and Charlemagne and allem at the Breakfast Club, they get my respect. The culture owes a lot to them.

Moral of the story: It’s so dope to watch hip hop grow and evolve. DJs were the first foot soldiers of the genre. Somebody had to spin those records, right? Somebody had to play those records at the block parties and the basketball parks.

And even though Charlemagne says some spicy shit from time to time, you can’t knock his influence. He’s been working a long time to afford to be that inflammatory and for that, he gets all my respect.